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Virtual Reality Delivers Immersive, Remote Collaboration for Automotive Design Teams

With HTC VIVE, NVIDIA, and Autodesk in their corner, automotive OEMs are evolving the design process, and shortening the time it takes to go from concept to model.

Collaboration | Design/Visualization

Creating an automobile from scratch is no easy feat. From concepting the look of a new model, to sculpting it from clay, to designing intricate pieces that give the car its personality, and collaborating with teams around the globe; it’s a complex process to say the least. Now, do it in an even shorter timeframe than the other guy, and create a whole lineup with nuanced features to suit an increasingly critical consumer segment.

To better suit the growing demand for global team collaboration and the ability to efficiently develop products, auto manufacturers have turned to virtual reality. Teams from around the world can join with their colleagues in the Autodesk VRED environment to work together on the virtual production of their vehicle models. The combination of Autodesk VRED software, powered by NVIDIA Quadro RTX, and experienced through the VIVE Pro Eye delivers an immersive design experience for many of these top automotive companies.


Hyundai Motors and the Migration to VR-Assisted Design

Hyundai Motors understands the need for a more integrated approach to model development. The many rounds of design feedback with numerous teams that has always been a staple in the automotive development process is now giving way to VR-assisted car design, and Hyundai was quick to adopt it to positively disrupt their process.

In March of this year, Hyundai created the world’s largest VR design evaluation facility, where 20 designers, engineers, or key stakeholders can simultaneously log into a virtual environment to evaluate a car design. The Autodesk VRED powered by NVIDIA Quadro RTX system, in conjunction with VIVE Pro Eye’s foveated rendering provide a cutting-edge experience, allowing for the most minute detail to be reviewed, discussed, approved, or revised.

No stone is left unturned within the VR experience, by just moving the controller teams can modify the virtual car’s color, texture, and parts. From there, teams can also view a high fidelity rendering of the car’s interior, envisioning what the car buyer may actually experience once the car model rolls of the line and into the dealership. To add an additional element of realism, cars can be placed in real world backgrounds, truly illustrating every facet of car design.

Hyundai has embraced VR-assisted car development and are looking to migrate their current process to fully virtual designing in the future.

Hyundai Designers involved in the VR-assisted evaluation process. From left, Senior Researchers Choi KyungWon, Park YoungSoo, and Bae ByoungSang, and Researcher Kang SungMook

BUGATTI’s Virtual Design Process Marries Tradition with Time and Cost Savings

BUGATTI is no stranger to the quality and craftsmanship that goes into creating automotive works of art. The core tradition they uphold with any car design is that it starts with the creative vision of the individual, in which the vision comes alive on the screen. Once a consensus has been reached, the digital model is transferred to a physical model made from rigid foam. With the inclusion of digital design in the creative process, it has helped the product development team cut a quarter of the costs and half of the design time. Thanks to VR and 3D technology, the BUGATTI Divo was designed in six months instead of the year it usually takes.

BUGATTI is visualizing design through VR. On the left it is Head of CAD and Visualization, Ahmet Daggün and on the right is Chief Designer Achim Anscheidt.


Ford Holds Realtime Design Reviews in the Virtual Space

The pandemic wasn’t going to stop Ford from doing what they love to do, designing cars. So, the company issued VR kits to Engineers and Directors across the globe in order for teams to maintain the momentum of designing the next Ford vehicle. But it didn’t stop there.

To ensure everyone had a chance to review designs, Ford created a live virtual design review in a digital airplane hangar, created in both 2D for viewers to experience without VR equipment, as well as the complete 3D models for those in VR. The models being showcased were #TeamFordzilla, Ford’s e-sports team, each car being designed by #TeamFordzilla’s designers.

Utilizing Autodesk VRED with NVIDIA Quadro RTX workstations, the teams were able to create realistic, high fidelity virtual models that could be shown off without a VR headset. But, when paired with the VIVE Pro and VIVE Pro Eye, the experience took the event to another level, as engineers and attendees could really see how different light sources create different reflective patterns on the models.

The live design review session, featuring Moray Callum (VP, Ford Design), Amko Leenarts (Design Director, Ford of Europe), Joel Piaskowski (Ford Global Design Director, Cars and Crossovers), and Kemal Curic (Design Director, Lincoln Motor Company), allowed everyone to experience how the Ford team goes through a design review and to learn what aspects of design are important to them.

The automobile industry is but one of many industries whose complex development process has been made easier, more efficient, and more collaborative thanks to the work of VIVE, Autodesk, and NVIDIA. Ultimately, through the evolution of digital research and design, which leverages virtual reality, advanced design software, and powerful graphics processing; automobile manufacturers will continue to be at the forefront of innovation and better serve the needs of the car buying public.

CORAIL, Roche Bobois design Antoine Fritsch & Vivien Durisotti

Texte technique

Table repas ronde ou rectangulaire avec piètement réalisé par impression 3D de béton (BUHP), personnalisable en forme et texture. Platine en acier (laque époxy, 2 coloris), plateau en verre trempé ép. 15mm.

Existe en 5 formes et dimensions.

Texte poétique

Avec CORAIL, Roche Bobois réalise une première mondiale dans l’ameublement, une innovation qui va sans doute changer le rapport des consommateurs à la création, mais aussi celui de l’industrie à sa distribution: sa base est réalisée en béton à partir d’une imprimante 3D, et personnalisable.

Autre innovation majeure, le logiciel que le client –chez lui ou avec un conseiller en boutique– peut utiliser pour influer sur l’objet : choisir sa forme, sa taille, mais aussi choisir d’appliquer l’effet de tressage où il veut, et visionner en direct l’objet qu’il façonne. Le code génétique ainsi défini nourrira l’imprimante 3D. En cinq formats ronds et rectangles, il définira les effets de torsion et de tressage qui feront d’elle sa pièce unique.

Après l’insertion de ce code génétique de la base contenant ses caractéristiques, l’imprimante géante, merveille de technologie, se met en marche. En un mouvement continu du bas jusqu’en haut, la buse pilotée numériquement dépose un serpent de BUHP (béton ultra-haute performance) qui durcit au fur et à mesure des superpositions.

Avec sa forme évoquant les champignons polyphores incrustés aux arbres, des coraux sur leur récif ou d’énormes coquillages baroques, Corail est avant tout un superbe objet inspiré par la beauté de l’imperfection naturelle et qui laisse libre cours à l’imagination de celui qui l’adopte.

Biographie designer

Deux doigts d’une même main, Antoine Fritsch et Vivien Durisotti sont en recherche permanente d’équilibre entre l’homme et son environnement. Chaque projet est abordé avec une vision globale, pour une réponse juste en terme d’usage et signifiante vis-à-vis de l’individu. Leurs projets passent le plus souvent par une rencontre, un échange. Ces collaborations, faites d’humanité, donnent poésie et profondeur à leurs créations. Ardents militants du « positive design », Antoine et Vivien ont à cœur d’anticiper les mutations de société en cours, d’un éclairage prospectif et généreux. Leur vision invite à un mieux vivre ensemble communicatif. De l’appétit de comprendre, d’innover et surprendre, jusqu’au plaisir de faire et satisfaire.

CORAIL

design Antoine Fritsch & Vivien Durisotti

Technical text

Round dining table with 3D-printed concrete (UHPC) with customizable shape and texture. Steel base (epoxy lacquer, 2 colours), top in 15mm- thick tempered glass.

L.280 x H.73 x D.120 cm

Available in 5 shapes and dimensions.

Poetic text

With CORAIL, Roche Bobois has achieved a world first in furniture – an innovation that is set to change the relationship both between consumers and design, and between the industry and its distribution. The table’s base is made from 3D-printed concrete and fully customisable. Once the “genetic code” containing the base’s characteristics is inserted, the giant printer – a marvel of technology – is activated. In a continuous upwards movement, the digitally operated nozzle dispenses a ribbon of UHPC (ultra-high performance concrete) that hardens in the course of layering.

Another major innovation is the software that customers can use at home or with an in-store advisor to help craft the object: choose its shape and size, decide whether to apply a weaving effect and where, and view their design in real time. The resulting “code” will feed the 3D printer. In addition to being customisable, this new process has potential ecological virtues: it will be easier to send a digital file to the United States or China and to have the base manufactured there by a local printer equipped with the technology. This would generate carbon savings by cutting out transport.

Its shape summons polypore fungi incrusted in trees, coral colonies on a reef, or giant baroque shells. Corail is a superb object inspired by the beauty of natural imperfection, giving free rein to the imagination of its owner. The base comes in five round and rectangular shapes, and customers can choose the twisting and weaving effects that will make their piece unique. The dotted texture of the ultra-high performance concrete lets them explore a wide range of options before reaching their decision.

 

Designer biography

Antoine Fritsch and Vivien Durisotti are constantly searching for harmony between people and our environment. Each project is approached with a global vision that considers the user’s needs. The sincerity of their collaborations adds poetic charm and depth to their creations. Ardent advocates of positive design, their ethos is based on encouraging more interaction between people. Fritsh and Durisotti have the ability to innovate, surprise and delight those who encounter their designs.

How hard should it be to design a surveillance system?

How hard should it be to design a surveillance system?

System integrators and designers are creating complete network surveillance solutions, using only Axis hardware and software. It’s an approach that improves efficiency and reliability in the design stage, as well as simplifying purchasing and installation.

A surveillance solution from Axis can be anything from a simple six camera set-up to a multi-site operation with hundreds of cameras and accessories. Whether it’s a small system or a big one, the designers are likely to be individuals with strong technical knowledge. And more often than not, they just want their tools to do their job as efficiently as possible.

As Business Development Manager at Axis, Mitch Mershon spends enough time with system integrators and designers to have a good idea of what they want. Most of the time it’s fairly straightforward: to be able to get on with their job.

“More experienced system integrators have really latched on to AXIS Site Designer, because it makes them more efficient. Instead of moving from website to website, finding the right equipment and checking their compatibility, they can get everything from one place – cameras, software, recorders, accessories, everything. For a lot of people, it means that they can design two sites a day when previously they might only have done one.”

Validated solutions

This efficiency comes, in part, from reliability. The combinations that can be put together on AXIS Site Designer have all been tested and validated to make sure that they work together. That means that system integrators don’t have to waste time checking compatibility, or even worse, purchasing unsuitable components.

“Even the most experienced system integrators will occasionally use a new product for the first time,” Mitch says. “AXIS Site Designer’s great in those situations because it removes any doubts about whether that product will work alongside the rest of the software and hardware. Even something as simple as a mount for a camera – AXIS Site Designer tells you if they’re going to fit together and takes any guesswork out of the equation.”

One device, one license…that’s all you need to know

At the heart of any good surveillance system you’ll find reliable video management software (VMS). AXIS Companion and AXIS Camera Station are easy-to-operate VMS options that bring together surveillance systems and get the most out of every component. One of the things that makes these VMS platforms so straightforward throughout the design, installation and operation stages, is their licensing structure.

“From a licensing perspective, we’ve made it just about as simple as it’s possible to make it,” explains Mitch. “You need one license per device, and that’s really all you need to know. We don’t use tiered pricing to limit functionality, so from day one, your license gets you access to everything. There’s no recurring fees or upgrade fees – our licenses are perpetual and will stay in place for as long as your system keeps going. The end-users appreciate having access to every function and application like this, and it definitely makes life a lot easier for site designers.”

Gather and share all information in one place

Devising an end-to-end solution in this way also makes it easy to produce all the documentation that system integrators need. On the customer side, AXIS Site Designer auto-generates everything from quotes to maps to bandwidth storage estimates. These can be important for the customer once their system is installed, but they can also be great sales tools, helping potential customers to visualize the coverage their new system will provide.

AXIS Site Designer’s documentation also makes purchasing more efficient. It automatically creates a bill of materials that can be exported and sent to the distributor, cutting out a process where errors might otherwise take place.

“It might sound like a small thing,” Mitch explains, “but purchasing can be a pain. If you have to produce a bill of materials with a long list of products, all with long product names, it’s really easy to make a few typing mistakes along the way. AXIS Site Designer just takes that task out of your hands, so the whole purchasing process becomes a lot smoother.”

Samsung MicroLED Opens a New Era of Breathtaking Picture Quality and Design

The next generation of television display technology is ready for the home out of the box with the unveil of Samsung’s 110’’ MicroLED in Korea

Samsung Electronics announced the launch and pre-sale of the groundbreaking 110” Samsung MicroLED beginning today in Korea. Unlike any other displays currently available on the market, Samsung MicroLED delivers astonishing color vibrancy and brightness with self-emissive LED display technology.

In 2018, Samsung’s first MicroLED display was introduced in the form of “The Wall”— a system of configurable modules that could be installed professionally. With the new 110” MicroLED, Samsung is delivering the MicroLED experience in a traditional TV form for the first time. Unlike its modular counterpart, installation and calibration is streamlined since the new 110” MicroLED model is prefabricated — offering stunning video, audio, and smart capabilities out of the box.

In the past year, consumer interest and demand for large screen TVs has continued to grow rapidly. With the launch of the 110’’ MicroLED, Samsung offers a breathtaking visual experience on an ultra-large next-generation TV display.

“As consumers rely on their televisions for more functions than ever, we are incredibly excited to bring the 110” MicroLED to the commercial market,” said Jonghee Han, President of Visual Display Business at Samsung Electronics. “Samsung MicroLED is going to redefine what premium at-home experiences mean for consumers around the world.

Innovative Engineering Delivers Next-Level Picture Quality

Ultra-large screen enthusiasts want excellent picture quality with vibrant colors and stunning resolution. With Samsung’s latest engineering innovations, the 110’’ MicroLED uses micrometer-sized LED lights to eliminate the backlight and color filters utilized in conventional displays. Instead, it is self-illuminating—producing light and color from its own pixel structures. It expresses 100% of the DCI and Adobe RGB color gamut, and accurately delivers wide color gamut images taken with high-end DSLR cameras. This results in stunning, lifelike colors and accurate brightness from the display’s 4K resolution and 8 million pixels.

The 110’’ MicroLED also has a processor powerful enough to live up to its display capabilities. Its all-new Micro AI Processor delivers stunning 4K HDR content — resulting in bright, vivid, realistic picture quality that is optimized to each scene.

What’s more, the 110” MicroLED makes that stunning picture quality last for the long term. MicroLEDs are made of inorganic materials which are long-lasting and durable — allowing a lifespan of up to 100,000 hours, or over a decade.

Previously, mass-producing a MicroLED screen as small as 110’’ for simple home installation wasn’t possible. But Samsung innovated to make it a reality by developing cutting-edge surface mount technology — along with a new production process derived from its semiconductor business — making MicroLED technology easier to manufacture, deliver, and install. These same innovations will allow Samsung to produce even smaller MicroLED models in the future, so even more consumers can enjoy the breathtaking MicroLED experience.

Immersive Design and Premium Audio

When you turn on the 110’’ MicroLED, you are treated to a spectacularly immersive experience thanks to its 99.99% screen-to-body ratio. The black matrix and bezel have been completely removed from the display — leaving only the screen, delivering consumers the most immersive content experience.

Samsung has innovated and optimized its Smart TV features to take advantage of the 110” MicroLED’s massive screen. For example, consumers can use the Multi View feature to comfortably watch up to four sources of content simultaneously on up to 55’’ sized split screens. When using this feature, the viewers can connect multiple external devices and enjoy watching news, movies, and other apps simultaneously on one screen — so they can keep up with multiple sports at once, or stream a walkthrough while playing a video game, all in stunning quality and size.

Plus, the 110’’ MicroLED’s dynamic audio experience is just as immersive as its visuals. It includes an embedded Majestic Sound System that delivers breathtaking 5.1 channel sound with no external speaker—transforming any room into a luxurious home theater. And its Object Tracking Sound Pro feature identifies objects moving on screen, and projects the sound to follow the action — so when you are watching an action movie and an airplane flies overhead, it will feel like its engines are roaring above you.

The 110’’ MicroLED will be available globally in the first quarter of next year following today’s unveiling in Korea. For more information about the 110’’ MicroLED, please visit: www.samsung.com.

BUGATTI ANNOUNCES EXCLUSIVE PARTNERSHIP WITH TIDAL AUDIO FOR PERFECTION WITHOUT LIMITS IN HOME AUDIO

INTRODUCING THE BUGATTI OF HOME AUDIO

BUGATTI and TIDAL Audio are united in a shared philosophy: to strive for perfection without limits in order to perform with exceptional design, effort and uncompromising spirit. The two companies, leading in their respective fields of exclusive luxury automotive design and premium audio systems, will set a new standard for home music systems – introducing ‘the BUGATTI of home audio’. The two companies will work to establish a new category of sound systems, underpinned by unrivalled exclusivity and high quality like no other.

The partnership between BUGATTI and TIDAL Audio begins with the “Royale” range of speakers that lead the way for luxury in the home audio sector. Technical avant-garde meets a passion for design, the perfect finish and outstanding results – with the visual promise of the breathtaking performance that follows. Just as the engine of a Bugatti hyper sports car releases power and emotions, this unrivaled sound impresses with its finest definition and incredible power.

The superlative quality becomes its own metaphor and redefines the parameters of audio equipment design. Just as the BUGATTI models on four wheels give an almost infinite number of possibilities for customization, the options list for this new standard of home audio is equally as unique. As for the design there are two main themes: Monocoque and Duotone. One can select between piano finishes or avant-garde color and material combinations. Each “Royale” loudspeaker pair can be customized with carbon fiber, fabrics, leather, polished stainless steel, dark aluminum or precious metal surfaces.

The front of the speakers show the BUGATTI logo plaque, finished in polished stainless steel and curved to accommodate the shape of the unit up to the brand’s qualities for personalization and performance – every set of speakers by TIDAL for BUGATTI is subject to a very personal bespoke ordering process, allowing the customer to share their precise vision of the best audio system in the world. And the plaque at the backside, branded ‘TIDAL for BUGATTI’, underlines the exclusive cooperation.

The “Royale” is deploying four subwoofer drivers per speaker and a 3-way front unit with a midrange-driver and tweeter with diamond diaphragms. The diamond diaphragm tweeter can be also found in our cars. The Royale is an active speaker with housing extremely powerful amplifier channels inside. The matching music controller allows to connect to all kinds of sources, including music streaming services and TV and can be controlled with smart devices.

The start of the partnership manifests itself in the ‘Edition Noir’ and ‘Edition Blanc’, each limited to only 15 pairs.

About TIDAL Audio:
TIDAL Audio was founded in Germany 1999 by entrepreneur and music enthusiast Jörn Janczak with a clear vision of building the finest audio systems in the world. From the beginning TIDAL Audio pursued single-mindedly the ambition to redefine quality in the sphere of sound systems. TIDAL Audio systems are a combination of passion and professionalism never sparing any efforts to reach new heights in audio quality and design aspirations. TIDAL Audio serves prestigious clients around the world and has received multiple awards from leading reviewers and magazines.

Contact:
TIDAL Audio GmbH
Immendorfer Str.1
50354 Hürth
Germany
www.tidal-audio.com
+49 2233 9669225
contact@tidal-audio.com

 

Apple introduces AirPods Max, the magic of AirPods in a stunning over-ear design

AirPods Max feature incredible high-fidelity audio, Adaptive EQ, Active Noise Cancellation, and spatial audio

AirPods Max bring the magic of AirPods to an all-new wireless over-ear design with high-fidelity audio, Active Noise Cancellation, spatial audio, and more.
Cupertino, California — Apple today announced AirPods Max, innovative wireless headphones that bring the magic of AirPods to an over-ear design with high-fidelity sound. AirPods Max combine a custom acoustic design, H1 chips, and advanced software to power computational audio for a breakthrough listening experience with Adaptive EQ, Active Noise Cancellation, Transparency mode, and spatial audio. AirPods Max come in five gorgeous colors, including space gray, silver, sky blue, green, and pink, and are available to order starting today, with availability beginning Tuesday, December 15.
“AirPods are the most popular headphones in the world, beloved for their effortless setup, incredible sound quality, and iconic design. With AirPods Max, we are bringing that magical AirPods experience to a stunning over-ear design with high-fidelity audio,” said Greg Joswiak, Apple’s senior vice president of Worldwide Marketing. “The custom acoustic design, combined with powerful H1 chips, and advanced software enable AirPods Max to use computational audio to wirelessly deliver the ultimate personal listening experience.”

Custom Acoustic Design

From the canopy to the ear cushions, every part of AirPods Max is carefully crafted to provide exceptional acoustic performance for each user. The breathable knit mesh canopy, spanning the headband, is made to distribute weight and reduce on-head pressure. The stainless steel headband frame provides strength, flexibility, and comfort for a wide variety of head shapes and sizes. Telescoping headband arms smoothly extend and stay in place to maintain the desired fit.
Each ear cup attaches to the headband through a revolutionary mechanism that balances and distributes ear cup pressure, and allows it to independently pivot and rotate to fit the unique contours of a user’s head. Each ear cushion uses acoustically engineered memory foam to create an effective seal — a critical factor in delivering immersive sound. The Digital Crown, inspired by Apple Watch, offers precise volume control and the ability to play or pause audio, skip tracks, answer or end phone calls, and activate Siri.

Breakthrough Listening Experience

AirPods Max feature a 40-mm Apple-designed dynamic driver that provides rich, deep bass, accurate mid-ranges, and crisp, clean high-frequency extension so every note can be heard. A unique dual neodymium ring magnet motor allows AirPods Max to maintain total harmonic distortion of less than 1 percent across the entire audible range, even at maximum volume.1 Equipped with an Apple-designed H1 chip in each ear cup, a custom acoustic design, and advanced software, AirPods Max use computational audio to deliver the highest quality listening experience possible. Utilizing each of the chips’ 10 audio cores — capable of 9 billion operations per second — computational audio powers a breakthrough listening experience that includes Adaptive EQ, Active Noise Cancellation, Transparency mode, and spatial audio.
AirPods Max custom acoustic design features a 40-mm dynamic driver and a unique dual neodymium ring magnet motor.
  • Adaptive EQ: AirPods Max use Adaptive EQ to adjust the sound to the fit and seal of the ear cushions by measuring the sound signal delivered to a user and adjusting the low and mid-frequencies in real time — bringing rich audio that captures every detail.
  • Active Noise Cancellation: AirPods Max deliver immersive sound through Active Noise Cancellation so users can focus on what they are listening to. Each ear cup features three outward-facing microphones to detect environmental noise, while one microphone inside the ear cup monitors the sound reaching the listener’s ear. Using computational audio, noise cancellation continuously adapts to the headphone fit and movement in real time.
  • Transparency Mode: With AirPods Max, users can switch to Transparency mode to simultaneously listen to music while hearing the environment around them — ensuring everything, including a user’s own voice, sounds natural while audio plays perfectly. Switching between Active Noise Cancellation and Transparency mode can be done with a single press using the noise control button.
  • Spatial Audio: AirPods Max use spatial audio with dynamic head tracking to place sounds virtually anywhere in a space — delivering an immersive, theaterlike experience for content recorded in 5.1, 7.1, and Dolby Atmos. Using the gyroscope and accelerometer in AirPods Max and iPhone or iPad, spatial audio tracks the motion of a user’s head as well as the device, compares the motion data, then remaps the sound field so it stays anchored to the device, even as the user’s head moves.

The Magic of AirPods

AirPods Max join the existing AirPods family in delivering unparalleled wireless audio, whether a customer is listening to music, making phone calls, enjoying TV shows and movies, playing games, or interacting with Siri. The magical setup experience customers love with today’s AirPods and AirPods Pro extends to AirPods Max with one-tap setup, followed by automatic pairing with all the devices signed in to a user’s iCloud account, including iPhone, iPad, iPod touch, Mac, Apple Watch, and Apple TV.
AirPods Max automatically detect when they are on a user’s head using the optical and position sensors. Once in place, AirPods Max play audio and can pause once removed or when the user simply lifts one ear cup. With AirPods Max, voice calls and Siri commands are crisp and clear due to beam-forming microphones that block out ambient noise and focus on the user’s voice.
AirPods Max feature the magical one-tap setup experience that customers love with AirPods.

Battery and Performance

AirPods Max feature great battery life with up to 20 hours of high-fidelity audio, talk time, or movie playback with Active Noise Cancellation and spatial audio enabled.2
AirPods Max come with a soft, slim Smart Case that puts AirPods Max in an ultralow power state that helps to preserve battery charge when not in use.
When stored in the soft, slim Smart Case, AirPods Max enter an ultralow power state that preserves charge.

Additional Features

  • Automatic switching allows users to seamlessly move sound between iPhone, iPad, and Mac. When playing music on Mac, users can easily take a call on iPhone and AirPods Max will automatically switch over.
  • Audio Sharing makes it possible to easily share an audio stream between two sets of AirPods on iPhone, iPad, iPod touch, or Apple TV 4K. Simply bring AirPods Max near the device and connect with a single tap.3
  • Siri capabilities include the ability to play music, make phone calls, control the volume, get directions, and more. Siri can also read incoming messages as they arrive with Announce Messages with Siri.
Pricing and Availability
  • AirPods Max are available to order starting today for $549 (US) from apple.com and in the Apple Store app in the US and more than 25 other countries and regions. AirPods Max will begin shipping on Tuesday, December 15.
  • AirPods Max require Apple devices running iOS 14.3 or later, iPadOS 14.3 or later, macOS Big Sur 11.1 or later, watchOS 7.2 or later, or tvOS 14.3 or later.
  • AirPods start at $159 (US) and AirPods Pro are available for $249 (US).
  • Customers can add personal engraving to AirPods Max, AirPods Pro, and AirPods for free on apple.com and in the Apple Store app.
  • Customers are able to find the same great shopping and support services at apple.com/shop, in the Apple Store app, and at Apple Store locations. Customers can get shopping help from Apple Specialists, choose monthly financing options, get special carrier offers for iPhone, trade in eligible devices, and get Support services and no-contact delivery or Apple Store pickup options. Customers are encouraged to check apple.com/retail for more information on the health and safety measures in place, and the services available, at their local store.
  • Pickup options include in-store, curbside, or Express storefront, and vary by store. Same-day delivery may also be available. Customers can check apple.com/retail for services available at their local store.
  • With Apple Card, customers in the US get 3 percent Daily Cash back when they buy directly from Apple and have the option to choose Apple Card Monthly Installments so they can pay over time, interest-free.

Kyron and Brabham Automotive – two companies driven to create ultimate performance through engineering, design and passion.

A collaboration of two world leaders in their respective fields striving to push the future of immersive experiences to new heights. From Brabham Automotive inspired versions of our music systems, to high end audio in car sound, the synergy allows both companies to combine their strengths and continue to innovate, pushing the boundaries of what is possible.

KRYON AUDIO X BRABHAM AUTOMOTIVE SYSTEM

Hand Crafted in Australia

Each Kyron music system is built by hand to order and can take 6 months or more to build depending on the specialist skills required for the bespoke options chosen.

Our systems include amplifiers, cables and everything needed and our expert installation service will ensure that everything is performing perfectly.

Brabham Automotive is the brainchild of a team of automotive industry experts and technicians headed by David Brabham, son of legendary Australian racing car champion driver Sir Jack Brabham. David Brabham himself is a champion, winning the Le Mans 24 Hours Class three times. David Brabham has driven for the Peugeot and Aston Martin teams, winning GT1 with the latter. While Brabham Automotive is, of course, in a total different category, we wonder what opportunities the closure of Australia’s Ford and Holden manufacturing may present in terms of personnel in engineering and fabrication and production hardware.

Kyron Audio’s co-founder and Lead Designer Lee Gray told SoundStage! Australia, “Just as a Brabham changes your perception of what a supercar can do, enjoying music via the Kyron Audio system is a mind-changing, immersive experience. We are proud to share Brabham’s passion for performance and dynamics and look forward to creating outstanding experiences for our shared clientele.”

Dan Marks, CEO of Brabham Automotive expounded, “Brabham partners with brands which have the same focus on quality, customer engagement and which strive for excellence in their field. Kyron Audio, a fellow Adelaide-based company, fits that mould, making a premier product for the world stage. Kyron’s dedication to design, engineering and performance matches our own, offering Brabham customers an outstanding lifestyle choice.”

Kyron Audio’s ‘Brabham’ editions are available via special order to Brabham Automotive customers. We’d guess lessons learnt via the partnership, in terms of construction techniques and the adoption of new materials, will eventually trickle down to Kyron Audio products available to music lovers at large and those who seek the best in high-end audio.

Kyron Audio Brabham Special Edition
Kyron Audio
+61 3 9016 2585
www.kyronaudio.com.au

Brabham Automotive
www.brabhamautomotive.com

Fremont, CA, USA – Thursday, 16 July 2020 – Blackmagic Design today announced Blackmagic URSA Mini Pro 12K, a new digital film camera with an advanced 12,288 x 6,480 12K Super 35 image sensor, 14 stops of dynamic range and high frame rate shooting at up to 60 frames per second in 12K at 80 megapixels per frame. This new 3rd generation model supports new Blackmagic Generation 5 Color Science and higher Blackmagic RAW performance, all in the award winning URSA Mini Pro camera body.

Blackmagic Design Announces Blackmagic URSA Mini Pro 12K

Fremont, CA, USA – Thursday, 16 July 2020 – Blackmagic Design today announced Blackmagic URSA Mini Pro 12K, a new digital film camera with an advanced 12,288 x 6,480 12K Super 35 image sensor, 14 stops of dynamic range and high frame rate shooting at up to 60 frames per second in 12K at 80 megapixels per frame. This new 3rd generation model supports new Blackmagic Generation 5 Color Science and higher Blackmagic RAW performance, all in the award winning URSA Mini Pro camera body.

Blackmagic URSA Mini Pro 12K will be available in July 2020 from Blackmagic Design resellers worldwide for US$9,995.

Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives customers the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. Customers can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more.

URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film. Customers get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means customers not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible.

The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame. The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. Customers can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing their field of view. URSA Mini Pro’s interchangeable lens mount lets customers choose from the widest range of vintage and modern cinema lenses, so customers can capture every ounce of character and detail from their favorite optics.

The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets customers shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that customers can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.

Only Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a reality. Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give customers the best possible images with predictable and consistent file size. Customers can record RAW to two cards simultaneously so customers can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates. Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.

Shooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means customers get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So customers can always work with their camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.

Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets customers take advantage of the new film curve even with their existing work.

URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K. With a massive 80 megapixels per frame at 60 fps in RAW customers can capture perfect stills and motion shots in a single camera at the same time. Customers can shoot up to 60 fps in 12K 12,288 x 6480 17:9. For higher frame rates, customers can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI. URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that customers get smoother edges in 8K and 4K even at lower frame rates.

URSA Mini Pro 12K is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. Customers get dual built in CFast and UHS-II SD card recorders, and a SuperSpeed USB-C expansion port for recording to fast SATA and NVMe drives. With “Record RAW on 2 Cards” turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS-II SD cards. The SuperSpeed USB-C expansion port on the rear can record to USB-C flash storage up to 900MB/s as a third recording option so customers won’t be short of choices for capturing stunning 12K up to 60p or 8K up to 110p.

Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. Customers can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means customers can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses.

Blackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB-C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB-C 3.1 Gen 2 for a blistering 10 Gb/s. Customers can connect and power external flash disks and SSDs or on URSA Mini Pro 12K customers can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete customers can simply move the external disk to their computer and start editing from the same disk, eliminating file copying.

URSA Mini Pro includes a full version of DaVinci Resolve Studio. Customers get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so users will get the best possible post production tools to edit native video from their camera and retain every bit of quality. Whether users are working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives customers a completely lossless workflow for native editing, color correction, effects, audio and delivery.

The new Blackmagic URSA Mini Recorder lets customers record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s. This blazing fast performance allows customers longer recording times for full resolution 4K, 8K and 12K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of their URSA Mini Pro between the camera and the battery. It’s controlled via the USB-C so customers don’t have to worry about manually starting or stopping the SSD recorder.

“With Blackmagic URSA Mini Pro 12K we have advanced imaging technology into a new generation where new styles of shooting will be possible”, said Grant Petty, CEO, Blackmagic Design. “Its not just the 12K sensor, but there is so many other innovations in this camera. From the Generation 5 Color Science, the in sensor scaling, new symmetrical color pattern, full RGB quality and of course the 12K resolution, it’s going to be exciting to see what DOPs do creatively with this technology!”

Blackmagic URSA Mini Pro 12K Features

  • 12,288 x 6480 12K Super 35 sensor.
  • Use for feature films, VFX and high end TVC’s.
  • 14 stops of dynamic range and native 800 ISO.
  • New Blackmagic RAW for real time 12K editing.
  • Blackmagic RAW optimized for Metal, CUDA and OpenCL.
  • Generation 5 Color Science with new film curve.
  • Shoot up to 60 fps in 12K, 110 fps at 8K and 220 fps at 4K.
  • Dual card CFast recording at up to 900MB/s.
  • PL mount included, EF and F mounts available.
  • SuperSpeed USB-C for recording to external disks.
  • Includes DaVinci Resolve Studio for post production.
  • Compatible with new Blackmagic URSA Mini Recorder.

Availability and Price

Blackmagic URSA Mini Pro 12K will be available in July 2020 for US$9,995, excluding duties, from Blackmagic Design resellers worldwide.

Press Photography

Product photos of the Blackmagic URSA Mini Pro 12K, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

The Most Affordable iPhone Features A13 Bionic, the Fastest Chip in a Smartphone, and the Best Single-Camera System in an iPhone

Cupertino, California — Apple today announced the second-generation iPhone SE, a powerful new iPhone featuring a 4.7-inch Retina HD display, paired with Touch ID for industry-leading security. iPhone SE comes in a compact design, reinvented from the inside out, and is the most affordable iPhone. The new iPhone SE is powered by the Apple-designed A13 Bionic, the fastest chip in a smartphone, to handle the most demanding tasks. iPhone SE also features the best single-camera system ever in an iPhone, which unlocks the benefits of computational photography including Portrait mode, and is designed to withstand the elements with dust and water resistance.
iPhone SE comes in three beautiful colors — black, white and (PRODUCT)RED — and will be available for pre-order beginning Friday, April 17, starting at just $399 (US).
“The first iPhone SE was a hit with many customers who loved its unique combination of small size, high-end performance and affordable price; the new second-generation iPhone SE builds on that great idea and improves on it in every way — including our best-ever single-camera system for great photos and videos — while still being very affordable,” said Phil Schiller, Apple’s senior vice president of Worldwide Marketing. “iPhone SE features the industry-leading performance of A13 Bionic that enables great battery life, takes stunning Portrait mode and Smart HDR photos, shoots amazing videos with stereo audio, is great for games and super fast web surfing, and is built with the same industry-leading security features our customers expect. We can’t wait to get iPhone SE into customers’ hands.”

Popular Design with a 4.7-inch Display

iPhone SE features an aerospace-grade aluminum and durable glass design with an all-black front, and is available in black, white and (PRODUCT)RED. The rear glass finish includes a centered Apple logo and is made using a seven-layer color process for precise hue and opacity, delivering rich depth of color with a color-matched aluminum band. It is water- and dust-resistant with an IP67 rating for water resistance up to 1 meter for 30 minutes.1
The 4.7-inch Retina HD display with True Tone adjusts the white balance to match the ambient light for a more natural, paper-like viewing experience. The vibrant wide color gamut Retina HD display offers incredible color accuracy, and supports Dolby Vision and HDR10 playback. iPhone SE uses Haptic Touch for Quick Actions — such as animating Live Photos, previewing messages, rearranging apps and more — as well as contextual menus.
iPhone SE also features the familiar Home button designed with sapphire crystal to be durable and to protect the sensor, and a steel ring to detect a user’s fingerprint for Touch ID. Using Touch ID is an easy, private and secure alternative to entering a passcode to unlock iPhone, fill in passwords using iCloud Keychain, log in to apps, authorize App Store purchases, and make Apple Pay transactions.

A13 Bionic — The Fastest Chip in a Smartphone

Introduced with iPhone 11 and iPhone 11 Pro, A13 Bionic is the fastest chip ever in a smartphone and provides unparalleled performance for every task iPhone SE handles. Perfect for photography, gaming and augmented reality experiences, A13 Bionic makes every action feel fluid.
A13 Bionic was built with a focus on machine learning, with a dedicated 8-core Neural Engine capable of 5 trillion operations per second, two Machine Learning Accelerators on the CPU and a new Machine Learning Controller to balance performance and efficiency. Together, A13 Bionic and iOS 13 enable new intelligent apps that make use of machine learning and Core ML.
Built for efficiency, the A13 Bionic also enables great battery life for iPhone SE. iPhone SE is wireless-charging capable with Qi-certified chargers and also supports fast-charging, giving customers up to 50 percent charge in just 30 minutes.2 Lightning-fast download speeds are available with Wi-Fi 6 and Gigabit-class LTE.3 Dual SIM with eSIM provides the flexibility for users to have two separate phone numbers on a single device while traveling abroad or for use as a business line.4

New Camera Experience Powered by A13 Bionic

iPhone SE features the best single-camera system ever in an iPhone with a 12-megapixel f/1.8 aperture Wide camera, and uses the image signal processor and Neural Engine of A13 Bionic to unlock even more benefits of computational photography, including Portrait mode, all six Portrait Lighting effects and Depth Control.5 Using machine learning and monocular depth estimation, iPhone SE also takes stunning Portraits with the front camera. Next-generation Smart HDR comes to iPhone SE, intelligently re-lighting recognized subjects in a frame for more natural-looking images with stunning highlight and shadow details.
Videos are even more immersive with stereo audio recording and cinematic video stabilization on the front and rear cameras. The rear camera supports high-quality video capture at 4K up to 60fps, and extended dynamic range comes to iPhone SE for more highlight details up to 30fps. Customers can also take advantage of QuickTake video on the front and rear cameras, allowing video recording without switching out of Photo mode.
With advanced Camera and Photo features in iOS 13, native editing is even more comprehensive and intuitive through powerful tools that were once available only for photo editing.
iPhone SE features the best single-camera system in an iPhone capturing high quality video up to 4K 60fps on the rear camera, cinematic video stabilization on the front and rear camera, and studio audio recording.

Everything Apple has to Offer

iPhone SE gives customers access to Apple’s robust ecosystem of products, services and accessories. Users can take advantage of the almost 2 million apps on the App Store, including the best third-party apps and AR experiences, stay up to date on current events with Apple News, enjoy original series, movies and documentaries from the world’s greatest storytellers with Apple TV+, stream over 60 million songs from their favorite artists on Apple Music, make secure and private purchases with Apple Pay, and store photos, files and contacts on iCloud with the ability to access content on all of a customer’s Apple devices. With a Lightning connector, iPhone SE is also compatible with more than 25,000 Lightning accessories, including camera accessories, audio and speakers, docks, CarPlay and more.
iPhone SE is built with the same industry-leading security features that customers expect from Apple — protecting privacy and giving customers control of their information. For example, Touch ID and the Secure Enclave protect fingerprint data, Intelligent Tracking Prevention on Safari helps stop advertisers that follow users from site to site, Photos uses machine learning to organize photos on device and more.
iPhone SE with iOS 13 delivers a seamless experience with software and hardware integration unlike any other smartphone. iOS 13 features a dramatic look with Dark Mode, a more private way to sign in to apps and websites with Sign In with Apple, and an all-new Maps experience that delivers faster and more accurate navigation and beautiful street-level imagery with Look Around.

Joining an elite group of lighting fixtures in the design industry, the luxury automaker was selected to contribute a set of design concept drawings to the prestigious Document Journal portfolio.

For issue 15 of Document Journal, the art and fashion magazine invited a selection of the most attractive architects and designers in culture to find their inner Major Toms and imagine human life on the moon for The Lunar Design Portfolio. How will we live? What will it look like? What will we wear? What will we handle?

LEXUS CREATES SKETCH LUNA MOBILITY CONCEPT FOR THE LUNAR DESIGN PORTFOLIO

ED2, the European advanced design studio for Toyota and Lexus dedicated to advanced concept proposals and innovative design, was selected to contribute a lunar mobility concept. Based on the newly launched LF-30 Future Concept vehicle, the studio created a series of 7 concepts from 5 different designers, a complete line of space vehicles ready to tackle the lunar landscape.

“When Document Journal approached us about the Lunar Design Portfolio, our team was working on the LF-30 Concept, which represents the” Lexus Electrified “futuristic vision for Lexus. The design team was already looking beyond short-term production and anticipating how advanced technology will change the way we interact with vehicles, “said Ian Cartabiano, president of ED2. “The lunar project came at the right time, halfway through the development of the LF-30. It gave the team a chance to dream further and then apply some of the LF-30’s interior design language to their lunar proposals. ”

Zero Gravity, the concept sketch selected to appear in the print edition of the magazine, is a single-driver vehicle that evolves the LF-30’s “Lexus Electrified” vision to incorporate magnetic levitation technology. The design reinterprets the Lexus axle grille and uses the riding style of the motorcycle to employ the new concept of Tazuna (which means “reins” in Japanese): the fundamental philosophy centered on the human being. Inspired by how a single rein can be used to achieve mutual understanding between horse and rider, the steering control provides active driving enjoyment created by direct human-machine communication.

Lexus Lunar, by Yung Presciutti

Lexus Lunar is a mass transit vehicle designed to safely explore and discover the moon. The vehicle is divided into two parts: the lower part consists of a platform with 6 sturdy wheels to give you the freedom to go wherever you want. The upper part contains the living room. The two components of the vehicle can also be split, with the top parting apart to create the start of a lunar colony.

About the Document Journal

Launched in 2012, Document is a unique biannual magazine of American and global culture featuring the leading voices in arts and letters. Editors toured the world to select the most compelling and visionary thinkers and designers to participate in the Lunar Design Project. Complementing Lexus’ revolutionary and futuristic designs, Document invited leading architects Shohei Shigematsu of OMA, Dan Wood and Amale Andaos of WORKac, Kulapat Yantrasast of wHY, and Lyondon Neri and Rossana Hu to imagine the built lunar world. it resulted in a stimulating collection of practical and esoteric approaches; Inspired by the potential illumination found in the release of gravity, artist Mariko Mori presented an original ethereal work; the industrial design frog and Nike contributed ideas for revolutionary consumer goods; Prominent writer and sociologist Steve Fuller, author of Humans 2.0, explored the historical, social, and philosophical implications of a lunar colony; and world-class DJ Honey Dijon created the soundscape through an exclusive playlist. Issue 15 of the document also features Booker Prize-winning author Marlon James and Queen & Slim star Daniel Kaluuya in a conversation about creating a black mythology; cultural critic Roxane Gay, women’s rights lawyer Gloria Allred and writer Siri Hustvedt on a reinvention of the law according to women; and an intimate and playful feature about the innovative musician King Princess in conversation with Mj Rodriguez,

Additional Design Concepts of the Lunar Design Portfolio:

OMA (architecture) – Orbit City

frog (industrial design) – LEAP Scooters; BLAST MAX

wHY (architecture) – Transcending Gravity

Mariko Mori (art) – Radiant Being I

Nike Design Team (footwear design) – Nike

Steve Fuller (sociology) –­ The Moon as Hotel California

Neri&Hu (architecture) – The Mooncake Longing for a Home It Never Knew

WORKac (architecture) –  WORKac

DJ Honey Dijon (music) – Lunar Playlist